Live Music Archive

Music, like speech, must be recognised as one of the necessary elements of humanity. It is impossible to conceive the existence of a race of people unpossessed of at least some rudimentary form of music, and certainly no such race has yet been located. Wherever explorers have ventured, they have invariably found a more or less definite national music esteemed and cultivated. In the remotest corners of the world, among the Indian tribes of the Americas, the most barbarous of the African tribes, the least known peoples of the far East, whenever travel and exploration have opened up the recesses of a strange land, it has been found that music existed there, and regularly in a curiously forward state of development compared with the useful arts of life.

Of the beginning of music all of us know no more than all of us do of the beginning of speech. The the majority primitive nations have each and all their personal national music, just as they have each their personal national form of speech. Music is thus an immemorial thing; for the sculptures of Nineveh, and the sculptures and paintings of the ancient Egyptians, the oldest records of life and manners extant, represent performers and musical instruments in such a way as leads one to the conclusion that, even in the period to which these carvings and paintings belong, music had already traveled a long way on the path of development. What the music from which the comparatively finished art of the Assyrians and Egyptians was evolved was like, all of us may perhaps be optimum able to judge from a brief survey of the music of numerous uncivilised nations as current at the present day.

All the world over, the music of the more primitive of the uncivilised races may be said to move on parallel lines, and it’s only as tribes and nations rise somewhat in the scale of nature that their music begins to display any marked degree of divergent iation. Down on what may be called the bed-rock of humanity they’re all pretty much a prefer, and in the national music of the the majority expansively removed races the same phenomena present themselves with but trifling modification. Singing or any type of vocal sounds is common all over the place on planet earth. The primitive human being gives expression to the primary feelings and passions by means of the voice or speech as a matter of instinct, just as is done by the brute creation.

The first step in advance is taken when the savage becomes conscious, as it were, for the first time, of the sounds which are born of certain circumstances, and endeavors to reproduce these sounds irrespective of the feelings from which they arise. This is the first recognition of sound that has any meaning; and from it to early stages of the rhythmical narrative, and to the song, is no inconceivable transition. With the sense of rhythm, which was most could evolved from simply walking, footsteps themselves are rhythmic, whether in walking or in dancing, it’s as natural to early man as to walk-comes the first hint of a musical instrument; for, with all races, musical instruments must have been rhythmic first, and evolved to be melodic when a higher standard of life has been reached.